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Sharp Objects, by Gillian Flynn
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FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.
- Sales Rank: #998 in Books
- Brand: Flynn, Gillian
- Published on: 2007-07-31
- Released on: 2007-07-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.10" l,
- Binding: Paperback
- 254 pages
Amazon.com Review
As loyal Entertainment Weekly subscribers, we have been fans of Gillian Flynn for her smart, funny, and spot-on reviews of books, movies, and TV, but we were not prepared for her stunning debut novel Sharp Objects, a wickedly dark thriller that Stephen King calls a "relentlessly creepy family saga" and an "admirably nasty piece of work." We're calling it a cross between Twin Peaks and Secretary--sinister, sexy, and stylish. Perfect fall reading. --Daphne Durham
10 Second Interview: A Few Words with Gillian Flynn
Q: Do you prefer writing novels or reviewing?
A: I think writing is more pure--and actually a bit easier for me. It's just me and my laptop, not me and my laptop and a TV show that 30 people have worked on. Reviewing keeps you sharp--I can hardly watch or read anything without taking notes now--but plain old writing I find actually relaxing.
Q: Do think your writing is influenced more by books that you have read, or shows/movies that you have seen?
A: My mom spent her career as a reading teacher and my dad is a retired film professor, so I was really steeped in both books and movies growing up. To this day, when I get my dad on the phone, pretty much his first sentence is "Seen anything good lately?" I love putting words together (I've never met a simile I didn't like), but when I write I often think in "scenes"--I want these two people, in a dirty bar, with this song playing in the background.
Q: I hear you are working on your second book...is it is too early to ask what it's about?
A: I'm still playing around with the whole plot--when I wrote Sharp Objects, I wasn't even sure who the killer was for a bit. But I can say [the new book] has to do with family loyalty, false memories, a wrenching murder trial, and a dash of good 'ole 1980s hair metal and devil worship.
Q: What is your writing process like? Have you changed anything about how you work since your first book?
A: My writing process is incredibly inefficient, and hasn't changed between books. I really don't outline: I know basically how I want the story to start, and vaguely how I want it to end (though like I said, with Sharp Objects even that changed!). Then I just write: Some characters I start finding more interesting, some less. I write entire swaths that I pretty much know I'll cut. I have an entire file of "deleted scenes." I guess the one thing that has physically changed is I moved into a new place since my first book--it has a great bathtub, and I'll prop my laptop up and write in the bath for hours. Which is, admittedly, weird.
From Publishers Weekly
Flynn's debut novel focuses on an emotionally fragile young woman whose sanity is being severely tested by family dysfunction, smalltown incivility and murder. It is a mesmerizing psychological thriller that is also quite disturbing and, thanks to reader Lee's chillingly effective rendition, at times almost unbearably so. Camille Preaker, a novice reporter with a history of self-mutilation, is sent to her hometown in Missouri to cover the murder of one teenage girl and the disappearance of another. There, she must face a variety of monsters from the past and the present, including her aloof and patronizing mother, her obnoxiously precocious 13-year-old stepsister who dabbles in drugs, sex and humiliation, and an unknown serial killer whose mutilated victims bring back haunting memories. Lee's interpretation of mom enhances the character's detachment and airy state of denial to an infuriating degree. And her abrupt change of pace when Camille suddenly begins chanting the words carved on her body is hair-raising. But the voice Lee gives to the stepsister—tinged with a sarcastic, cynical and downright evil girly singsong—makes one's blood run cold.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Critics agree that Gillian Flynn's psychological thriller and murder mystery is a far more sophisticated offering than a debut novel has any right to be. Flynn, the Chicago-based television critic for Entertainment Weekly, paints a clever, sensitive, and scathing portrait of small-town America—"Wind Gap truly is the home town from hell," notes the Washington Post—while portraying a convincing heroine consumed by violence, past and present. Flynn's vivid prose captures human foibles perfectly. If Camille's career is an old trick of the trade, it's a minor flaw in an otherwise stunning novel, "a tough tale told with remarkable clarity and dexterity, particularly for a first-time author" (Denver Post).
Copyright © 2004 Phillips & Nelson Media, Inc.
Most helpful customer reviews
163 of 186 people found the following review helpful.
A Hard-Boiled Heroine
By Kevin Joseph
When men fight, according to first novelist Gillian Flynn, they tend to bludgeon one another in blunt contests of strength, like good-natured warriors facing off in an athletic contest. Women fight in a much nastier fashion, she asserts, clawing, biting and using whatever other sharp objects are available to achieve domination over their female rivals. If you're willing to buy into Flynn's scathing portrayal of the so-called gentler sex, you'll surely be sucked into this dark mystery/thriller.
Camille Preaker, a reporter for an obscure Chicago newspaper, is assigned to investigate the recent murders of two young girls in her claustrophobic Missouri hometown. Besides overcoming the natural wariness the townsfolk exhibit toward a nosy journalist, Camille must face down her dysfunctional family - a controlling mother, distant step-father and a disturbed, thirteen-year-old step-sister whose catty group of friends makes the "Mean Girls" crowd look like a troup of Brownies. The closer Camille gets to cracking this grisly mystery, the harder she struggles to keep her horde of inner demons at bay and the more she begins to fear for her own safety.
If judged purely by the intensity of its suspense and page-turning quotient, "Sharp Objects" would easily merit five stars. Flynn taps into the psychological horror generated by a twisted family in a way that electrifies the narrative, reminding me of Dean Koontz in that regard. I had trouble, though, accepting the unlikely logistics behind the crimes and found certain characters to be so over-the-top as to strain credibility. These quibbles aside, Gillian Flynn already has mastered a fast-paced and hard-boiled writing style that's perfectly suited for the suspense genre, and she has created a fascinating heroine who could form the centerpiece for a winning series.
-Kevin Joseph, author of "The Champion Maker"
1 of 1 people found the following review helpful.
Really Nice First-Novel From Author of "Gone Girl" Gillian Flynn
By Lizzy
NO SPOILERS IN THIS REVIEW: Really nice first novel from this author, with a very defined 3-act structure. This one is written entirely in first-person, from only the main character's point of view. Act 1 sets the stage, but feels a bit disconnected. I would say Act 2 doesn't really begin until around page 50, when a big plot point is revealed. Prior to page 50 I found myself wondering "where is this going?" and after page 50, a few random facts in the novel get explained and then it really starts to come together. After that, it is a smooth ride downhill: a fast, engrossing read. So much so that you might find yourself ignoring your family members just to get to the end of this book. A girlfriend of mine is about to go on tour, and I had to finish reading this so I could lend it to her before she left. Once you read a good book, you need someone else to experience it with you, right?
Act 2 lasts for nearly the rest of the book until the last 20 pages or so, when Gillian Flynn surprises us again. Of course, if she gave you the ending you expected, it wouldn't be a good book, right? I will note that the ending is rather hastily wrapped up, and for me at least, my feelings about the characters don't really blossom as the could have with a more robust ending. I will say that she likely received this feedback from readers and learned from it, because all these "complaints" are corrected prior to her novel "Gone Girl." Gone Girl is like the older, rarer vintage of a really nice wine.
All in all, even Stephen King praised Sharp Objects as an excellent first effort, and it's a book worthy of your attention whether you're already a Gillian Flynn fan, or you just like suspenseful, thrilling novels. Once you've picked this one up, move on to "Gone Girl" and don't see the movie until you've read the book!
0 of 0 people found the following review helpful.
The Whining of Adults should be the title.
By V. Richards
First off, the title does not reflect the story. The concept of "cutters" is what I thought the book would be about but it is only a sideline thought. If you read a lot, you'll pick out at least one or two people near the beginning who could be the murderer. I did, and I was right. I was greatly disappointed that there wasn't any character development to speak of, no connection to any of the characters. This is the main reason I wasn't impressed with the story. There were a couple of sex scenarios inserted in the story, which were not needed. They felt disjointed and had no purpose.
On the plus side, it is a quick read. And without revealing any spoilers, I must say that the hiding place for the teeth was very clever.
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