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Upon publication in 1997, The Norton Shakespeare set a new standard for teaching editions of Shakespeare's complete works.

Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the modern reader closer than before possible to Shakespeare's plays as they were first acted. Now, under Stephen Greenblatt's direction, the editors have considered afresh each introduction and all of the apparatus to make the Second Edition an even better teaching tool.

• Sales Rank: #220653 in Books
• Brand: W.W. Norton & Co
• Published on: 2008-02-25
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 3.20" w x 6.50" l, .0 pounds
• Binding: Hardcover
• 3419 pages

From Library Journal
In the crowded world of collected Shakespeares, there have been two notable works, The Oxford Shakespeare (Oxford Univ., 1986) and The Riverside Shakespeare (Houghton Mifflin, 1997). The most recent edition of the Riverside explores developments in Shakespearean criticism, while the Oxford presents an innovation in the Shakespearean canon. It is the Oxford edition that forms the core of The Norton Shakespeare, destined to change the count of notables to three. General editor Greenbelt (Berkeley and Harvard) and editors Walter Cohen, Jean E. Howard, and Katharine Eisaman Maus, all noted scholars of the period, acknowledge their debt to the work of the Oxford editors. However, they use the strong foundation of the Oxford to create a new and wonderful text of great richness and depth. Their mission is to make Shakespeare accessible to modern readers. With lengthy introductions providing insight into Shakespeare's life and times as well as textual notes, marginal glosses, footnotes, and bibliographies, they more than achieve their aim. In addition, the work is designed for use in classrooms (the student version includes a CD-ROM) and to that end offers some fascinating textual editing to help both students and lovers of Shakespeare understand the complexity of his writing. With King Lear, for example, the editors offer three versions: the 1608 quarto text, the 1623 Folio text (on facing pages), and then a conflated version of the two so that readers can take their own measure of the merits of conflation. For Hamlet, the editors interpolated into the folio passages of the second quarto with different typeface and spacing so that readers can view the work as an organic text. The editors also seek to widen the reader's view of Shakespeare with additional essays by Andrew Gurr (Univ. of Reading) on Elizabethan and Jacobean expectations of theater as well as genealogies, an illustrated chronology of Shakespeare's life, and over 150 illustrations. The result is a work of immense scope, scholarship, and richness. Not only will it be a vital collection for years, it will become the standard to emulate. An essential purchase for all libraries.?Neal Wyatt, Chesterfield Cty. P.L., Va.
Copyright 1997 Reed Business Information, Inc.

About the Author
Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present.

Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy.

Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.

Most helpful customer reviews

35 of 35 people found the following review helpful.
Best Choice
By Buffy
I'd rather give this 4.5 stars, but I can't. As another reviewer said, one wants to not like this volume. It's expensive and there are some annoying things about it--for example, the paper is soooo thin you can practically read the recto on the verso--but it is all-around the edition I turn to most often. The Riverside (I'd judge it to be the other most commonly used anthology) is absolutely ungainly. Its paper is certainly better, but the thing is absolutely huge. Looks great on the shelf, but horrible to carry with you to class. I also dislike the Riverside's two column layout and system of notation, which puts notes and glosses at the bottom of the page without indicators in the text. The Norton puts glosses in the margin, which I find infinitely less disturbing and more likely to be helpful, and it numbers footnotes. It also uses a single-column layout, which I find much easier to read and allows a smaller paper size (same size as all the other Nortons out there, same Bible paper too) without a smaller font size. The introductions to the individual plays have been farmed out to some of the best in the biz, so it's not just Greenblatt's book. For what it's worth, his job on the introductory material in this volume matches the quality of what you expect from one of the leading figures in the field. What's more, the scholarly material is very readable and generally helpful. Yes, the take of that material is definitely influenced by new historicism and cultural materialism, but anything compiled in the last 20 years is likely to be similarly influenced. There is also some good theater history help here and some good old facts. If you have problems with the Oxford edition, then you'll have problems with this one. If you don't, then it should be fine. For what it's worth, I reallllly like that there are the three Lear texts. This is a volume than can just be read if you want to read Shakespeare. But it's also a book that will get you through the hard stuff and that is fit for scholarly work.

0 of 0 people found the following review helpful.
great
By Evelyn
Absolutely, great book

31 of 33 people found the following review helpful.
Mutilated Shakespeare
By David Auerbach
A major flaw infects the Oxford Shakespeare, from which the Norton Shakespeare is derived: the editing of Shakespeare's texts themselves. The editors seem to have been driven by a desire to make a splash, even if this meant questionable and arbitrary editing of the texts, and so the Oxford/Norton Shakespeare features such oddness as:

* Two versions of King Lear, 90% identical and each missing some familiar lines (the Norton has three versions)
* A Macbeth that has had non-Shakespearean material added in to it, allowing it to be co-credited to Thomas Middleton (one editor is a Middleton fan)
* A Hamlet that has lost some of its most significant passages to an appendix
* Significant, damaging cuts to many of the other plays
* A Pericles with huge chunks of non-Shakespearean material added in, all of it terrible.
* Falstaff renamed to "Oldcastle" in Henry IV Part 1, though not in Part 2
* Wholly new stage directions that have been added in without note
* A horribly inept poem, "Shall I die", near-universally agreed upon not to be by Shakespeare, yet claimed as such

Yes: good Shakespeare material has been removed from the plays, and bad non-Shakespeare material has been added in.

So be aware that you will be reading versions of the plays that are substantially different than from what most people have read over the last century, or indeed, the last few centuries. And, usually, substantially worse versions. The changes tend to damage the plays, not improve them. The Norton Edition removes some of the most grotesque alterations (like Falstaff/Oldcastle), but hardly enough to undo the damage. It also raises the question of why Norton chose to use Oxford in the first place.

David Bevington's The Complete Works of Shakespeare (6th Edition) is an entirely more reasonable, thoughtful, and better-produced choice. Jonathan Bate's William Shakespeare Complete Works (Modern Library) is similarly sensible and somewhat cheaper.

For evidence on the specifics, I will turn matters over to expert Shakespeareans, who have complained loudly about this edition for the last 25 years:

David Bevington: "Hamlet is another matter, for here we deal primarily not with duplicatory passages but with whole speeches that the Oxford editors remove (or banish to an appendix) on the hypothesis that Shakespeare wished to excise them in his revised (Folio) version of the play. My problem with the adoption of this bold option is in being uncertain that Shakespeare made these particular cuts willingly. Many familiar passages from Richard III are missing from the text now given to us, having been relegated to a supplementary list of additional passages where they are out of context. A note at the head of these additional passages states that they were 'apparently omitted from performances,' but I question whether they were omitted from all performances, and, even if so, whether Shakespeare really preferred things that way. This edition cuts some Q materials from its text of Troilus and Cressida, along with Pandarus's epilogue. The text of Measure for Measure will surprise some of its readers by its omission of certain well-known passages."

Brian Vickers: "The editors' evidence (only published in 1993) for Middleton's hand in Measure for Measure mostly concerns Act One Scene Two, where several stylistic features, and some dramaturgical loose ends, suggest a revision by Middleton in about 1621. While accepting their attribution, I find it perverse that the Oxford-Norton editors should have printed Middleton's revised scene in their text, knowing that it was "made for Shakespeare's company after his death", and consequently relegating Shakespeare's briefer and wittier original to an appendix called "Additional Passages". But this textual waste bin should really be called "Passages Deducted by the Oxford Editors"."

Grace Ioppolo: "Stanley Wells, Gary Taylor, William Montgomery and John Jowett, the editors of William Shakespeare: The Complete Works, constructed their edition from two unsustainable arguments about scribal copy. First, these editors argued that any manuscript copy that contained act notations could not be authorial but must be scribal prior to 1609, when they assume Shakespeare's company moved into the private Blackfriars theatre at which music was played between acts. Second, they argued that scribes routinely introduced `interference' into the manuscripts they were copying, either by extensively adding their own or cutting the author's material."

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"If you're serious about increasing your effectiveness as a communicator and looking to transform your sales results, Sell with a Story is for you. This book empowered and energized me, and I know it will do the same for you." -- Mike Weinberg, consultant, speaker, and author of New Sales. Simplified. and Sales Management. Simplified.

Despite all the high-tech tools available to salespeople, the most personal method still works best.

Storytelling packs the emotional punch to turn routine presentations into productive relationships. It explains products or services in ways that resonate; it connects people and creates momentum. Stories speak to the part of the brain where decisions are made.

Paul Smith, author of the acclaimed Lead with a Story, shifts his best-selling formula to the sales arena. In Sell with a Story, he identifies the ingredients of the most effective sales stories and reveals how to:

Select the right story - Craft a compelling and memorable narrative - Incorporate challenge, conflict, and resolution - Use stories to introduce yourself, build rapport, address objections, add value, bring data to life, create a sense of urgency, and more

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• Sales Rank: #67325 in Books
• Published on: 2016-09-08
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.20" w x 6.20" l, .0 pounds
• Binding: Hardcover
• 304 pages

Review

"I appreciated the many examples and how he lead me through the methods of identifying what’s a story and what’s not. It was clear, and it clicked for me." --Small Business Branding

“...one of those books that you could just keep reading and reading…very engaging, inspirational and considerate… it will get you thinking about how you communicate.” --Autamme

"...think of a sales pitch as foul-tasting medicine, and a sales story as a spoonful of sugar to help the medicine go down in a most delightful way." --Artillery Marketing

"[Smith's]earlier books have catapulted him to acclaim, and Sell with a Story is destined to be equally well received, and not just by those who are in sales." --The Chronicle Herald

“…critical for entrepreneurs selling their startup to investors, strategic partners, and customers.” --Martin Zwilling, Huffington Post

“It’s destined to become a bestseller.” --Blog Critics

"[Paul Smith is the] author of three books on harnessing the power of storytelling for some of the most important work we do as humans: Lead with a Story, Sell with a Story and Parenting with a Story." --Business Management Daily

“…shares practical strategies to draw people in and actively engage them using stories rather than relying on the traditional, logical and dry sales pitch.” --Leadership Tools

“Entertaining, easy to read, and above all incredibly useful, this book is helpful for both salesmen and small-business owners alike.” --Portland Book Review

“I'm a big fan of Paul's earlier best-sellers…and, the newest installment in the series is equally good, informative, practical and actionable.” --Eric Jacobson On Management and Leadership

“The book is packed with insightful things about the way humans build trust and the role of stories in that process…very convincing argument for why you need to tell better stories in your sales presentations.” --In the Arena, Anthony Iannarino

“...a no-nonsense...must-read, especially for people working in small businesses.’’ --Retailing Insight

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"Takes the art of using the story to sell something to the next level…great book for anyone in sales or looking to enter the field." --Tulsa Book Review

“…a tool for your success toolbox that few people have and harness. Yet, it’s irrefutable that we all need it...and it’s a tool we can all get and start using now.” --The Ziglar Show

From the Inside Flap

“I love it! Stories . . . allow for a real connection with the customer. And Sell with a Story is THE book to teach you how to do that.” — Gary Cofer, Chief Commercial Officer, GfK North America

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“As a salesperson, you will finally get what storytelling is, and how to use it to create transfer of ownership and shorten the sale.” — Skip Miller, author of ProActive Selling

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When it’s time to meet clients, you can roll out the sales deck and go through features and benefits, cost-savings, and time-shavers. But what if no matter how solid and logical your sales pitch is, little actually sticks?

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Storytelling expert Paul Smith helps salespeople add this potent tool to their toolkit, and get dramatically better results. Based on interviews with sales and procurement professionals at more than 50 top companies including Microsoft, Costco, Xerox, Abercrombie & Fitch, and Hewlett Packard, Sell with a Story explains how stories work, when to use a story to move the sales process along, which ones to always have handy, and how to turn real-life experiences into stories that resonate.

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• Pick the story your audience wants to hear by choosing the most relatable hero, most relevant obstacle, and most meaningful struggle

• Use the right story structure template to ensure key elements are included

• Close stories with succinct lessons and recommended actions

• Add emotion, surprise, dialogue, detail, data, and other elements to make your stories fresh and effective

• Ask open-ended questions that encourage customers to share their own stories

• And much more

Complete with model stories, skill-building exercises, and enlightening examples, this powerful and practical guide gives you the tools to create memorable stories that sell.

Paul Smith is a popular speaker and expert trainer on business storytelling techniques. A former Procter & Gamble executive, his clients include Hewlett Packard, Bayer Medical, Progressive Insurance, Walmart, and other distinguished companies. As the author of Lead with a Story and Parenting with a Story, his work has been featured in The Wall Street Journal, Inc., Time, Forbes, The Washington Post, Success, and Investor’s Business Daily.

Connect with Paul at: www.leadwithastory.com.

Twitter: @LeadWithAStory

Facebook: LeadWithAStory

From the Back Cover

Despite all the high-tech tools available to salespeople, the most personal method still works best. Storytelling packs an emotional punch that turns routine presentations into productive relationships. It brings products and services to life in ways that customers remember; it connects people and creates momentum.

Paul Smith, author of the acclaimed Lead with a Story, shifts his best-selling formula from leadership to the sales arena. In Sell with a Story, he identifies the ingredients of the most effective sales stories and reveals how to:

• Develop compelling and memorable narratives

• Incorporate challenge, conflict, and resolution into your stories

• Select the right story for every occasion: to introduce yourself, build rapport, address objections, add value, enliven data, create a sense of urgency, and more

Most helpful customer reviews

7 of 7 people found the following review helpful.
Most helpful in expected and unexpected ways, this book is a must read for ALL business people.
By JFC
I’ve long enjoyed the impact of a story to drive a position, but have never had a model to fully develop a quality story. This genuinely reads like someone that has put in the 10,000 hours plus of bringing the concept into the field, and subsequently perfected the model. The overall model itself makes story development seamless. And this was something that I and my business needed urgently.

This book has helped me both personally and professionally. But I want to speak to the area of greatest impact. As a small business owner, this book is a game changer for two critical problems we’ve faced.

First, we are a company with 40+ years of history. We’ve seen a lot of growth and change in our own industry and the industries we serve. And we struggle with telling the stories of our experiences. We have no repository of any, and when something in alignment comes up in a sales meeting, we have missed opportunities.

At my company, we have a great story to tell overall about who we are, what we do, and why. I've spent the past year struggling with getting something on paper. I didn’t have to read far to get there (page 30), and in ten minutes, we have an elevator story to tell anyone, from the POTUS to my 9-year old niece what we do. Running through our experiences over the years, we have a list of somewhere around 10 different scenarios we face when meeting with a prospect. And we have more than 10 great stories we can have ready at the helm.

Then the surprising, expected, and welcome outcome is solving problem #2. Our second problem is with employee engagement. Among the many wins from this book, this was the unexpected. My partners and I came to realize a year or so ago that one of our challenges of engagement is our need to articulate the magnitude that our employees have on solving problems for our clients. But it is not as simple as saying, “Hey Will, you solved a fifty-thousand-dollar problem today for Widget Co!” For the client, the impact is apparent, but employees in all companies often do not understand the impact of their efforts. But armed with a story, and all the tools imparted by Smith, we now have a powerful way to express our gratitude to our employees.

This book gets right to action. I enjoy that Smith executes the argument for the concept itself flawlessly, and then moves on. I find it frustrating when an author spends the bulk of their content reminding us of the validity of their original claim(s). The examples offered and the execution about each component drive buy-in without you having to revisit the original claim.

This is a book should be on the shelf of every business person that has something worth saying and something worth buying.

3 of 3 people found the following review helpful.
Already Using This To Build My Stories!
By David A. Brock
We know how critical stories are in connecting and engaging our customers. But if you’re like me, I struggle with developing and telling stories that are supportive of what I’m trying to accomplish. It’s so much more natural to go to the data, or the facts. But these don’t capture our customer’s imaginations.

Paul’s written a brilliant guide to help each of us leverage the power of story telling. First, he discusses the importance of aligning the story with where the customer is in their buying process/where we are in the selling process. The most appropriate stories in introducing ourselves to prospects are very different than those we use in presenting our solutions, closing, and even after we’ve gotten the order. After that foundation, he goes in to great detail in how to create powerful sales stories.

I tried his approach for a major presentation at for a group of top sales executives. The speech is coming up in a few weeks, but in preparing the speech and practicing it on a few people, incorporating stories has changed the impact and effectiveness of what I communicate. Paul’s guide will be the cornerstone to all my future speeches, and to most of my prospecting calls.

If you struggle with developing and leveraging high impact stories in your sales process, Paul’s book is a great guide to help you learn how to construct your own.

1 of 1 people found the following review helpful.
A Book for Salespeople and Leaders
By Mark Hunter
When I first saw the title I wondered why I would need to read it. As soon as the author Paul Smith shared the story of the experiment selling items on eBay I was hooked. The author shared the results of a test selling items on eBay and how having a story in the description allowed them to sell at a higher price. After reading that I immediately began thinking about situations where using a story would help me be more convincing.

The beauty of the book is how it is also an instructional book to help you learn how to craft and use stories to convey your position. After reading the book I would highly recommend it not just for sales people but anyone who in a position where you need to communicate with others.

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Sell with a Story: How to Capture Attention, Build Trust, and Close the Sale, by Paul Smith PDF
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Art across Time combines sound scholarship, lavish visuals, and a lively narrative to provide students with a comprehensive, accessible, and engaging introduction to Art History. Popular with majors and non-majors alike, the text offers readers more than a chronology of art by placing each work within the time-and-place context within which it was created. Encountering and interpreting a work of art in context offers the reader the richest possible experience of it. Large scale and high quality visual reproductions of artworks are often presented from multiple perspectives to enhance visual appeal and allow students to view details and elements of composition with greater ease. A thoughtful pedagogical approach helps students consider what they are viewing.

• Sales Rank: #475288 in Books
• Published on: 2010-02-12
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x 1.00" w x 8.50" l, 3.45 pounds
• Binding: Paperback
• 528 pages

About the Author
Laurie Schneider Adams received a Ph.D. in Art History from Columbia University. She is Professor Emerita of Art History at John Jay College, City University of New York, where she taught art survey, and at the Graduate Center, where she taught courses on the Italian Renaissance and on Art and Psychoanalysis. She has published articles on iconography and on art and psychology. She is the editor of Giotto in Perspectiveand of the quarterly journal Source: Notes in the History of Art; the author of A History of Western Art, Art across Time, The Methodologies of Art, Art and Psychoanalysis, and Art on Trial; and co-author (with Maria Grazia Pernis) of Federico da Montefeltro and Sigismondo Malatesta: The Eagle and the Elephant, as well as Lucrezia Tornabuoni de' Medici and the Medici Family in Fifteenth-Century Italy, and of 5 children's books (with Allison Coudert).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Text Book for Art History Class
By David H. Birley
Wow! For the summer semester, the advance notice from the instructor was to read the introduction and first three chapters as the material we will cover the first week. Dense. (Not "stupid-dense", "intense-dense"). Assignment total of about 120 pages, and I've been reading it for almost a week -- and still have one chapter to go! BUT, and this is the five-star reason for my good feelings about this book, it is not only readable, as in a non-preachy style, but utterly fascinating. If I were not a struggling old sophomore, I think I might even consider owning this book just as a fount of general knowledge about the foundations and developments of art throughout the world. If you are interested in the world history of art, get it, and enjoy it!

0 of 0 people found the following review helpful.
Took a really long time to ship
By AH0030
It took a very long time to ship but it did arrive within the estimated time. It seems they shipped it at the very last minute to make it within the delivery period. I actually called Amazon to question what was happening with it.

Otherwise, the book itself is very well organized and has beautiful pictures. While it's for a class, I will probably keep it rather than selling it back or trading it.

1 of 1 people found the following review helpful.
Good delivery
By Tictock
I needed this book for my art history class and decided to rent from amazon since the campus bookstore was behind schedule. The book arrived within the time frame specified and was in excellent condition.

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Text and photographs present more than eighty custom cars designed for show and other special purposes by various designers.

• Sales Rank: #673462 in Books
• Published on: 1973-10-29
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 20.00" h x 20.00" w x 20.00" l,
• Binding: Hardcover
• 136 pages

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0 of 1 people found the following review helpful.
A great Show Car book.
By Edrie J. Marquez
These famous Custom and Show Cars brought back fond memories of the days when these cars were newly constructed and touring around the country.

0 of 0 people found the following review helpful.
An Extremly rare and wonderful book
By rob1tnt
I love this book so much.I ended up paying $90 for my copy in a rush to find it few copy surface anymore so if you want it buy it because they don't come up veay often.This book is one of the best reference books for the long forgotten Show Rods or Kitch Cars.This book covers all the best of the crazy show cars of the 70's from some of them include The Magic Carpet,The Rickshaw,Martian Spider,DDT,Farm Yard Roadster,Tri-Pod,Woodburner,Bathtub Buggy,V8 roadster,Beer Wagon and The Nirto Express and although its not in color it well worth the money I paid $90 for my copy and in my opinion its worth double that

0 of 1 people found the following review helpful.
Very Funny
By Jose Geraldo A. P. Barreto Fonseca
This book is very funny! A sorry that this book is in b&w, this book deserve a atualized edition in color.

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Written by the industrial engineer who developed SMED (single-minute exchange of die) for Toyota, A Revolution in Manufacturing provides a full overview of this powerful just in time production tool. It offers the most complete and detailed instructions available anywhere for transforming a manufacturing environment in ways that will speed up production and make small lot inventories feasible. The author delves into both the theory and practice of the SMED system, explaining fundamentals as well as techniques for applying SMED. The critically acclaimed text is supported with hundreds of illustrations and photographs, as well as twelve chapter-length case studies.

• Sales Rank: #108671 in Books
• Brand: Brand: Productivity Press
• Published on: 1985-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.42" h x .91" w x 6.18" l, 1.41 pounds
• Binding: Hardcover
• 384 pages

Features

• Used Book in Good Condition

Language Notes
Text: English, Japanese (translation)

Most helpful customer reviews

0 of 0 people found the following review helpful.
Highly recommend this seller
By Hao
item as expected. Highly recommend this seller!!!

19 of 21 people found the following review helpful.
A really USEFUL book...
By A Customer
Before reading this book, i had no certain opinions about SMED system. There was a lack of knowledge and i could not apply this technique properly in the factory which I am working for. Now, i am applying SMED technique and decreasing setup times sharply even not under ten minutes. This book opens doors for its reader. Pay money and take it. !

5 of 5 people found the following review helpful.
Very good book on Set Up Time Reduction
By F. H. Van Saarloos
Very good book if your interested to reduce setup / changeover times. The book is very easy to read although in some cases it keeps repeating itself. When you think logical you could already figure out 75% on how to improve changeover before reading the book, but for the last 25% this book is an absolute must. A lot of the examples are car manufacturing related, but this I not a problem because the writer tries to give you the tools on how SMED can be reached, regardless which industry you are working in.

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Table of Contents Introduction: SOLIDWORKS User Interface
1. Document Properties
2. Sketching
3. Creating Multibody Parts
4. Working with Multibody Parts
5. Revolved & Thread Features
6. Flex Bending
7. Sweep with Guide Curves
8. Lofts and Boundaries
9. Surfaces and Patches
10. Configuration Features
11. Assembly Motions and Mates
12. Using Smart Mates
13. Top Down Assemblies
14. Using the Lip and Groove Options
15. Assembly Drawings and BOM
16. Drawings and Detailing
17. Sheet Metal Parts
Glossary
Index
SOLIDWORKS 2016 Quick-Guides

• Sales Rank: #475881 in Books
• Published on: 2016-02-24
• Original language: English
• Dimensions: 10.75" h x 8.50" w x 1.00" l,
• Binding: Perfect Paperback
• 358 pages

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Tips on everything from daily schedule, to "classes" to be held, activities, and other resources

• Sales Rank: #854684 in eBooks
• Published on: 2014-04-10
• Released on: 2014-04-10
• Format: Kindle eBook

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Includes expert advice on changing direction in your career

Get out of the rut and into your dream job

This hands-on guide takes you through every aspect of finding and securing the job you want. From searching for vacancies through to preparing for the interview and making a strong impression, this book has it covered. Key personal development techniques, such as Neuro-linguistic Programming, are featured alongside specific job-hunting advice, helping you to develop a winning mindset and foster skills to take with you into your new career.

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• Write a knockout CV and cover letter

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• Build your confidence and develop a successful outlook

• Sales Rank: #1322411 in eBooks
• Published on: 2011-02-23
• Released on: 2011-02-23
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Job hunting made easy
By emanuel aroney
Informative
And well presented and helpful
A must for career changing
Gives good CV preparation hints
Good value at below $30

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